Shipwrecked!
a wildly imaginative ride
Much is made by suggestion—a scrap of costuming, a sound, a gesture—to flesh out a fascinating world
Review of Shipwrecked! by
Dave Irwin posted January 12 on TucsonSentinel.com
Truth Through Story
David Morden and the Rogue Theatre delight with Shipwrecked! An Entertainment
Review of Shipwrecked! by Sherilyn Forrester
in the January 12 Tucson Weekly
Shipwrecked rides swells of imagination
Review of Shipwrecked! by Kathleen
Allen in the January 12 Arizona Daily Star
Get carried away in Shipwrecked!
Review of Shipwrecked! by Chuck Graham on January 7 in Let The Show Begin! at TucsonStage.com
2011 Arizona Daily
Star Mac Awards
The Rogue Theatre and Rogue After Curfew/The Now
Theatre received
nine nominations and three awards in the Arizona Daily Star’s
2011 Mac Awards!
Read all about it here.
The Rogue Theatre Nominations Best Actress:Cynthia Meier in The Real Inspector Hound “a complete hoot” Best Actor: Matt Bowdren
in The Real Inspector Hound “a funny [performance]” Best Actor: David Greenwood in As I Lay Dying “brought vivid life to the patriarch Anse” Best Director: David Morden for Major Barbara “won us over with his direction of The Rogue Theatre’s swift and funny Major Barbara.” Best Comedy: Major Barbara “a delicious production of the George Bernard Shaw classic” Best Drama: As I Lay Dying
“The Rogue showed it was willing to go out on a limb to bring Tucson quality theater”
The Rogue Theatre Winners
Best Director: Joseph McGrath for The Real Inspector Hound
“The playwright, Tom Stoppard, isn’t easy to perform or direct. But when done well, the rewards are plentiful.
McGrath did this extremely well.” Best Comedy: The Real Inspector Hound “It was performed with gleeful abandon and full attention to playwright Stoppard’s lush language”
The Now Theatre Nominations Best
Actor: Matt Bowdren
in The Pillowman
“a chilling performance as the calculating detective” Best Director: Nic Adams for The Pillowman
“allowed the story to unfold with a chilling purity” Best Drama: The Pillowman “The Pillowman is not an easy play to stage. It is frightening, it is funny, it is complicated.
It deserves a beautifully acted and directed production, and Now Theatre gave it that.”
The Now Theatre Winners
Best Actor: Lee Rayment for The Pillowman “Katurian is not a likable character, but Rayment gave him a tenderness and empathy
that made the audience embrace him. It was a most memorable performance.”
December, 2011:
Ahoy! “Pure theatricality” on stage in Rogue play Shipwrecked! a story about storytelling, takes “a trip through language and sound”
Preview of Shipwrecked! by Kathleen
Allen in the December 29 Arizona Daily Star
In preparation for
Shipwrecked! An Entertaiment by Donald Margulies, January 5–22, 2012
please join us for
Louis de Rougemont:
The Original Castaway
A Free Open Talk
In 1989, London was introduced to a fascinating, intrepid and eccentric character in the person of Louis De Rougemont. Catapulted to super-stardom by his stories of being shipwrecked and marooned in the Australian outback for thirty years, the British public couldn't get enough of this strange and dazzling survivor. Learn about the life of the real Louis De Rougemont, the inspiration for Donald Margulies’ Shipwrecked! An Entertainment, and his roller-coaster ride to fame and fortune.
SPOILER ALERT: Although Donald Margulies’ story is a fictionalization of Louis’ life, you will find out details of the story which are not revealed until the second half of the play. But we think it will be worth it!
Free; reservations not required
Wednesday, December 28, 5:00–6:00 P.M.
The Rogue Theatre
November, 2011:
Stage adaptation of Faulkner works well
Review of As I Lay Dying by Kathleen
Allen in the November 10 Arizona Daily Star
As I Lay Dying is vividly alive
Review of As I Lay Dying by Chuck Graham on November 5 in Let The Show Begin! at TucsonStage.com
Intensity from page to stage As I Lay Dying, rich with inner voices, an unblinking look at the human animal
Preview of As I Lay Dying by Kathleen
Allen in the November 3 Arizona Daily Star
October, 2011:
In preparation for
As I Lay Dying by William Faulkner, November 3–20, 2011
please join us for an open talk
Interpreting Faulkner’s Landscape
William Faulkner has a unique and profound American voice. His writing can also be quite mysterious. In this talk, Cynthia Meier will discuss how William Faulkner’s poetic prose serves to define the complex characters populating his tour de force As I Lay Dying, as well as taking a look at the backdrop of the modernist movement of which Faulkner was a part.
Free; reservations not required
Wednesday, October 24, 5:00–6:00 P.M.
The Rogue Theatre
THE ROGUE ALBUM
Now on Sale!
Enjoy music and spoken passages from the first six seasons of The Rogue Theatre.
The CD is an hour-long collection of moments from 22 productions at The Rogue
with a wide variety of music, drama and poetry featuring 28 Rogue artists.
The music ranges from Gregorian chant to tango to barbershop quartet.
The spoken passages include writing by Shakespeare, Joyce, Keats, Pinter, and many others.
Click here --> to purchase the CD at our Web store
It Can’t Happen Here by Sinclair Lewis and John C. Moffitt
A Staged Reading in celebration of the
75th anniversary of the Federal Theatre Project
Monday, October 24, 2011
7:30 P.M.
Suggested donation: $10 per person.
The Rogue Theatre at The Historic Y
300 East University Boulevard
Poster for the stage adaptation of
It Can't Happen Here, October 27, 1936
at the Lafayette Theater as part of the
Detroit Federal Theater
The Rogue Theatre will take part in a nation-wide effort to celebrate the 75th anniversary of the Federal Theatre’s production of It Can't Happen Here.
In October 1936, It Can’t Happen Here opened in 22 theaters in 18 cities across the country. It played a total of 260 weeks and was seen by more than 316,000 people. On October 24, 2011, theatres across the country will present staged readings of the play to commemorate its original, nation-wide opening.
Hallie Flanagan, director of the Federal Theatre Project from 1935–39, said this about the play: “We want to do It Can’t Happen Here because it is a play by one of our most distinguished American writers. We want to do it because it is about American life today, based on a passionate belief in American democracy. The play says that when dictatorship comes to threaten such a democracy, it comes in an apparently harmless guise, with parades and promises; but that when such dictatorship arrives, the promises are not kept and the parade grounds become encampments. We want to do It Can’t Happen Here because, like Doremus Jessup [the novel’s newspaperman and hero] and his creator, Sinclair Lewis, we, as American citizens and as workers in a theatre sponsored by the government of the United States, should like to do what we can to keep alive the ‘free, inquiring, critical spirit’ which is the center and core of a democracy.”
“No one agreed on the play” Hallie Flanagan told an audience some months later,“but everyone had to see it. It was called good, bad, savage, mild, American, un-American, fascist, communist, too far left, too far right, a work of genius, a work of the devil.”
A complete list of theatres participating in the nation-wide reading can be found here.
Read the preview article in the Tucson Sentinel by Dave Irwin.
Read the preview article in the Arizona Daily Star by Kathleen Allen.
September, 2011:
Major Barbara September, 2011:
Major Barbara, at Rogue Theatre, seems like a modern discussion
Armaments, altruism bandied about in social critique from 1905
Review of Major Barbara by Kathleen
Allen in the September 16 Arizona Daily Star
Across the Big Pond
A classic work at the Rogue Theatre offers a compelling discussion
Review of Major Barbara by Sherilyn Forrester
in the September 15 Tucson Weekly
Shaw’s wit, themes from 1905 remain relevant
Rogue Theatre stages comedy-laced drama Major Barbara
Preview of Major Barbara by Kathleen
Allen in the September 2 Arizona Daily Star
August, 2011:
In preparation forr
Major Barbara by George Bernard Shaw, September 8–25, 2011
please join us for an open talk
The Belle Époque: Edwardian Culture and Costume
Learn about the life of the Londoner and the world of the Salvation Army, presented by Jan-Ruth Mills and David Morden, followed by a look at the clothing and fashion of the early 1900s, as demonstrated by Cynthia Meier and Kathryn Kellner.
Free; reservations not required
Wednesday, August 31, 5:00–6:00 P.M.
The Rogue Theatre
July, 2011:
Another Lumie for The Rogue!
On June 9, our Board President Norma Davenport was awarded a Lumie by the Tucson Pima Arts Council, in recognition of her work as an outstanding arts patron in cultivating the Rogue Theater into an established staple in Tucson’s cultural landscape.
On July 26, Norma was interviewed by Tony Paniagua on KUAT-TV’s Arizona Illustrated. Watch the interview and hear what Norma has to say about supporting the arts by clicking on the image below.
Thank you, Norma, from all of us!
Pillowman revels in macabre tales Tight, well-acted play delivers dark humor, horror, lush language
Review of The Pillowman by Kathleen
Allen in the August 5 Arizona Daily Star
Tell Me a Story--Not Now Theatre triumphs in knock-down, punch-in-the-gut Pillowman
Review of The Pillowman by Sherilyn Forrester
in the July 28 Tucson Weekly
No Pillow Talk in The Pillowman
Review of The Pillowman by Chuck Graham on July 26 in Let The Show Begin! at TucsonStage.com
Pillowman is darkness leavened with comedy
Preview of The Pillowman by Serena
Valdez in the July 22 Arizona Daily Star
June, 2011:
Real vs. Make-Believe The Rogue Theatre will wow you with Tom Stoppard’s The Real Inspector Hound
Review of The Real Inspector Hound by Sherilyn Forrester
in the June 23 Tucson Weekly
The Real Inspector Hound a tail wagger
Review of The Real Inspector Hound by Chuck Graham on June 21 in Let The Show Begin! at TucsonStage.com
Rogue Theatre delivers a rich romp through Stoppard’s Hound
Review of The Real Inspector Hound by Kathleen
Allen in the June 17 Arizona Daily Star
Hound seems just the ticket for the dog days
Rogue Theatre is lightening up for the summer
Preview of The Real Inspector Hound by Kathleen
Allen in the June 10 Arizona Daily Star
May, 2011:
A life-affirming Decameron at Rogue Theatre Boccaccio’s bawdy tales told with gusto
Review of The Decameron by Kathleen
Allen in the May 6 Arizona Daily Star
Dazzling Decameron
Rogue triumphs with local playwright Patrick Baliani’s superb new version of an
Italian classic
Review of The Decameron by Nathan Christensen
in the May 5 Tucson Weekly
Playwright’s vision reshapes medieval
Decameron tales
Play based on 14th Century stories
Review of The Decameron by
Dave Irwin posted May 4 on TucsonSentinel.com
Human Thing: Of Boccaccio, Baliani, Alchemy, and
Desire
Article on The Decameron by
Anna Swenson posted May 4 on TheDesertLamp.com
A very human Decameron
Review of The Decameron by Chuck Graham on May 1 in Let The Show Begin! at TucsonStage.com
April, 2011:
Campus Creatives: Patrick Baliani
English prof translates Italian drama for the American stage before you're even awake
Preview of The Decameron by Jazmine Woodberry in
the April 27 Arizona Daily Wildcat
How playwright Baliani adapted classic for Rogue
Preview of The Decameron by Kathleen
Allen in the April 22 Arizona Daily Star
Music from Boccaccio’s Florence
Saturday, April 23rd, 2:00–4:00 P.M.
Admission: Pay-What-You-Will
Join us for a musical celebration of the music of The Decameron
a program of 14th century Florentine vocal and instrumental music.
Harlan Hokin directs Paul Amiel, Carolyn Hokin and Robert Villa in a program of
pieces that Signor Boccaccio would have known during his life.
A Violin Recital by Tim Blevins
accompanied by pianist Dawn Sellers
CANCELLED DUE TO ILLNESS
The Decameron
A talk by Playwright Patrick Baliani
Wednesday, April 20th, 6:00–7:30
P.M.
FREE
Learn about the medieval world of The Decameron from translator,
adaptor and playwright Patrick Baliani, including insights into
the adaptation of a literary masterpiece. This presentation will
delight and inform you in preparation for the Rogue’s production
of The Decameron, opening April
29th.
ART MATTERS 2011: Why Art?
A Panel Discussion on the Value of the Performing Arts
co-sponsored by The Arizona Daily Star
Saturday, April 16th, 3:30–5:00
P.M.
FREE
The panel for this discussion will include:
Jory Hancock,
Dean of Fine Arts at the University of Arizona
Dianna Repp,
Anthropologist at Pima Community College, specializing in art, spirituality
and end of life issues;
Joey Rodgers,
co-founder of Dancing in the Streets, a dance school dedicated to
low-income students;
Joseph McGrath,
founder of The Rogue Theatre, an actor, director, and scenic designer;
Stephen Wrentmore,
Associate Artistic Director, Arizona Theatre Company;
George Hanson,
Music Director and Conductor at Tucson Symphony Orchestra;
Lauren Rabb, curator at the UA Museum of Art;
Gabriel Ayala, recording artist and classical guitarist. Gabriel will also open the discussion with a piece of music.
Join us for a lively discussion about why we create
art with some of Tucson’s art luminaries!
Read the Arizona Daily Star article about the panel discussion.
The Final Performance of
Summer Thunder Chinese Music
Ensemble
featuring Rogue favorite Paul Amiel
Saturday, April 9th, 7:00 P.M.
Pay-What-You-Will
“The Seasons of China” brings together beautiful traditional
music celebrating the changing seasons, love of nature, and joy
of festivals. Begun in 2005, Summer Thunder Chinese Music Ensemble
has held over 60 performances in concert halls, festivals, libraries,
markets, and especially the Rogue Theatre, bringing the beautiful
sounds of Chinese traditional music to Tucson. This will be the
group’s final performance, so this will be your last chance
to see and hear this unique and wonderful group.
Visit us at the Tucson Festival
of Books!
Music and Voices from The Decameron
Main Entertainment Stage
Saturday, March 12, 2:00–3:00 P.M.
Patrick Baliani, the translator and adapter for the
Rogue Theatre’s upcoming production of The Decameron
will talk about Boccaccio and his place in Italian and world letters;
Harlan and Carolyn Hokin will play and sing music from Boccaccio’s
Florence,
some of which will be used in this production;
and cast members will read from the script.
Throughout the weekend we can be found in booth #131-132
in front of the Student Union.
Click here
for more information on the Festival on the University of Arizona Mall.
March, 2011:
Pause, like Pinter, to decipher Old Times
Review of Old Times by Kathleen
Allen in the March 4 Arizona Daily Star
Poetic Production
The Rogue Theatre does justice to Harold Pinter’s puzzling Old
Times
Review of Old Times by Sherilyn Forrester
in the March 3 Tucson Weekly
Pinter’s Old Times
a Sisyphean search for truth
Classic example of Theatre of the Absurd
Review of Old Times by
Dave Irwin posted March 2 on TucsonSentinel.com
February, 2011:
Pinter’s mind games
fill Old Times
Review of Old Times by Chuck
Graham on February 27 in Let The Show Begin! at
TucsonStage.com
Of memories and mysteries
Preview of Old Times by Kathleen
Allen in the February 18 Arizona Daily Star
Make your reservations now for a spectacular meal
before the performance at
533 N. 4th Avenue
Two blocks from The Rogue Theatre
On Opening Night, Friday, February 25,
Delectables will feature a special “Rogue menu.”
Plus, Rogue Season Ticket Holders receive 20% off their meal
before any performance of Old Times!
Lecture/Discussion with Patrick Baliani, Playwright
and UA English Faculty Member
Free; reservations not required
Wednesday, February 16, 6:00 P.M.
The Rogue Theatre
The Rogue Theatre
in partnership with Borderlands Theater
presents a staged reading of
Oedipus Rex
by Sophocles
Directed by Laura Lippman
Sunday, February 13th, 2:00 P.M.
at The Rogue Theatre
Tickets $10 at the door
$5 for students with student ID, Borderlands Flex/Pass holders
and Rogue season ticket subscribers
No advance reservations
Discussion to follow the reading,
led by U of A Classics Professor Mike Lippman
2010 Arizona Daily
Star Mac Awards
The Rogue Theatre and Rogue After Curfew/The Now
Theatre received
numerous nominations and one award in the Arizona Daily Star’s
2010 Mac Awards!
Read all about it here.
Nominations Best Actor, Drama:
Nathan Crocker in Othello Best Actress, Drama:
Cynthia Meier in Ghosts Best Director, Drama:
Cynthia Meier for Naga Mandala Best Director, Drama:
David Morden for Ghosts
Best Drama:Naga Mandala Best
Drama:Ghosts Best
Actor, Comedy: Nic Adams and Lucas Gonzales
in Overruled Best Actor, Comedy:
Matt Bowdren and John Shartzer in The Four of Us Best Actress, Comedy:
Jennifer Rose Hijazi in Overruled Best Director, Comedy:
Daniel Thomson for Overruled Best
Director, Comedy: Cynthia Meier for The Four
of Us Best Comedy:
Overruled
Best Comedy: The Four of Us
Winner Best
Actress, Comedy: Danielle Hecht
in Overruled
Make your reservations now for a spectacular
meal before the performance at
533 N. 4th Avenue
Two blocks from The Rogue Theatre
On Opening Night, Friday, January
7,
Delectables will feature a special “Rogue menu.”
Plus, Rogue Season Ticket
Holders receive 20% off their meal
before any performance of The Tempest!
Stepping Up Shakespeare:
The Rogue Theatre adds dance elements to The Tempest
Preview of The Tempest by Margaret
Regan in the January 6 Tucson Weekly
December, 2010:
Tempest is a force of
nature, to actor's joy
Preview of The Tempest by Kathleen
Allen in the December 31 Arizona Daily Star
Shakespeare’s The
Tempest:
Romance & Drama
An Open Talk featuring
Peter E. Medine, UA Professor of English
Free and open to the public
Wednesday, December 29, 5:30-7:00
P.M.
The Rogue Theatre
300 E. University Blvd.
Shakespeare scholar Peter E. Medine
will give us some insight
into this brilliant masterwork of Shakespeare.
Peter E. Medine received his B.A from Northwestern
University, his M.A. and Ph.D. in English from the University
of Wisconsin at Madison. In 1969, he joined the faculty of the
University of Arizona, where he is currently Professor of English.
He has held research fellowships at the Huntington Library in
San Marino, California, and at the Folger Shakespeare Library
in Washington, D.C. Mr. Medine has directed six summer institutes
on Shakespeare and Milton which were funded by the National
Endowment for the Humanities; total funding from NEH for the
institutes is over a million dollars. He has also been an active
participant in the College of Humanities Seminars for which
he has received several awards for Outstanding Teaching. Mr.
Medine has authored, edited, or co-edited seven books. While
Mr. Medine’s teaching interests have concentrated on such
authors as Shakespeare, Spenser, and Milton, he has recently
taught seminars in a concurrent reading of Jane Austen’s
Pride and Prejudice and James Joyce’s Ulysses.
Unlocking the
Secrets
of Shakespeare
Free; reservations not required
Sunday, December 12, 1:00-2:00
P.M.
The Rogue Theatre
300 E. University Blvd.
In this hour-long workshop, David Morden
will use the text of The Tempest to illustrate
the beauty of Shakespeare’s writing by analyzing
his verse and prose and showing how The Bard left clues
about how to perform his plays within the words themselves.
This exploration of Shakespeare’s
skill will give participants a greater appreciation of
why he is considered the greatest English language playwright.
For The Rogue’s audience members, the workshop offers
a rare insight into the inner workings of Shakespearean
verse. For actors and theatre artists, this workshop will
introduce participants to a new way of analyzing Shakespeare’s
verse and will offer a greater facility with his words.
November, 2010:
Ibsen’s Ghosts
alive, well and quite relevant at Rogue
Shaw comedy lifts spirits after Ghosts
Reviews of Ghosts and Overruled
by Kathleen Allen in the November 12 Arizona Daily Star
Ibsen vs. Shaw
Rogue’s Ghosts and Now’s Overruled
take on hypocrisy in extremely different ways
Reviews of Ghosts and Overruled
by Nathan Christensen in the November 11 Tucson Weekly
Fine performance invigorates
Ibsen’s Ghosts
In our Jerry Springer-desensitized era, it’s hard to appreciate
how truly outrageous this play was
Review of Ghosts by Dave
Irwin posted November 9 on TucsonSentinel.com
October, 2010:
The future is now in
Rogue’s Ghosts
Preview of Ghosts by Kathleen
Allen in the October 29 Arizona Daily Star
From The Rogue’s
new YouTube channel:
In preparation for The Rogue Theatre’s Ghosts,
we interviewed Dawn Sellers, pianist and assistant
director for the play, about her choice of music
by Grieg for the preshow, the relationship between
Grieg and Ibsen, and the musicality of Ibsen’s
writing.
Make your reservations now for a spectacular
meal before the performance at
533 N. 4th Avenue
Two blocks from The Rogue Theatre
On Opening Night, Friday,
November 5,
Delectables will feature a special “Rogue menu”
of Scandinavian specialties.
Rogue Season Ticket Holders receive 20%
off their meal
before any performance of Ghosts!
Meet the cast, discuss the play and its
themes
and spend some time with the company of The Rogue before
seeing the production.
Free; reservations not required
Saturday October 30, 10:30 A.M.
The Rogue Theatre
SHOP and SUPPORT THE ROGUE THEATRE!
FRONT
PATIO YARD SALE
Saturday October 23, 2010
8 A.M. to 12 P.M.
The Rogue Theatre
The front patio of The Rogue Theatre will
be the site of a grand yard sale!
The items for sale are too numerous to list,
but the prices will be very low
and a great variety of things will be available.
Come early for a good selection!
All receipts go to The Rogue Theatre.
September, 2010:
Actors, costumes
strong in production
Company takes risk; India play succeeds
Review of Nāga Mandala by
Kathleen Allen in the September 17 Arizona Daily Star
Rogue Theatre’s
snaking narrative meditates on reality
Don’t look for character arcs as story weaves its
threads
Review of Nāga Mandala by
Dave Irwin posted September 16 on TucsonSentinel.com
Rogue uncovers
cobra tale from India to start season
Preview of Nāga Mandala by
Kathleen Allen in the September 3 Arizona Daily Star
From The Rogue’s
new YouTube channel:
In preparation for The Rogue Theatre’s Nāga
Mandala, we interviewed actress Patty Gallagher
to get some insight into the world of masked performance.
Enjoy a spectacular meal before the
Opening Night performance of Nāga Mandala
at
533 N. 4th Avenue
Two blocks from The Rogue Theatre
On Friday, September 10,
2010,
Delectables will feature a special “Rogue menu”
of Indian specialties.
Rogue Season Ticket Holders receive 20% off their meal!
To make a reservation, call 520-884-9289
In Rehearsal
at the Rogue
This season, The Rogue
Theatre is launching a new publication, In Rehearsal
at the Rogue, as part of our continuing commitment
to foster a dialogue with our audience about the challenging,
provocative and complex ideas behind quality dramatic
language and literature. In Rehearsal at the Rogue
is written and edited by Dr. Carrie J. Cole. The first
issue discusses Nāga Mandala and can be
downloaded here.
The file is viewable in Adobe Reader, downloadable here.
Free Open Talk
Mythical
Structure in Nāga Mandala with Dr. Carrie J. Cole
Wednesday, September 1, 7:00 P,M,
The Rogue Theatre
Dr. Cole and director Cynthia Meier
will present information about the play and production
of Nāga Mandala including the background
of the playwright, the primary symbols in the play,
and notes about the upcoming production.
Long-Form
Improvisation
Sunday
June 6, 2:00 P.M.
Saturday July 3, 7:30 P.M.
Saturday July 24, 7:30 P.M.
Saturday August 28, 7:30 P.M.
We’re presenting a show, but we
have no idea what it’s going to be about! We had
so much fun with our Evening of Long-Form Improvisation
in April, that we’re doing it again. In addition
to theatre games and short-form improvisation, we will
create a one-act play, made up completely on the spot.
Please join us for a fascinating and fun two hours of
spontaneity and creativity.
Admission to this summer’s Long-Form
Improvisation is “pay-what-you-will.” All
proceeds will go towards The Rogue Theatre’s newly-installed
air-conditioning system.
Ticket purchase begins at the box office
one hour before curtain. There are no advance reservations.
In Memoriam
Norma Lewis
1925–2010
Anyone who has come to the Rogue Theatre in the last
year will remember a beautiful bronze sculpture at the
entrance to the theatre. This statue was made by sculptor
Norma Lewis and given to the Rogue Theatre. It is called
"Eos"—Goddess of the Dawn. Norma Lewis
has been a great friend to the Rogue, serving briefly
on the Board of Directors and donating generously, along
with her husband Dave, to many of the Rogue plays and
projects, including the renovation of the theatre and
as Production Sponsor for Happy Days, Krapp’s
Last Tape, and this season’s Old Times.
We will miss her presence tremendously. She will live
on in our hearts as well as in the theatre through her
artwork and ours.
We happened to read a poem to Norma at a recent event.
She loved the poem and asked to have it read again.
In memory of Norma, we offer the poem once again:
The Summer Day
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up
and down—
who is gazing around with her enormous and complicated
eyes.
Now she lifts her pale forearms and thoroughly washes
her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel in the grass,
how to be idle and blessed, how to stroll through
the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is is you plan to do
With your one wild and precious life?
—Mary Oliver
presents
The
Rogue Theatre at The Historic Y
300
E. University Blvd.
Thursday
August 12, 7:30 P.M. One
Performance only
Started by veteran Rogue actor Matt Bowdren,
The Now Theatre has co-produced late night theatre with
The Rogue since 2008. The Now begins its third season
with A Night Of Three Short Plays, with all profits
being donated to their mentor theatre, The Rogue.
The
Retreating World
and One
Short Sleepe
by Naomi Wallace
The Retreating World focuses on Ali, an Iraqi
bird keeper from Baghdad and his address before the International
Pigeon Convention.
One Short Sleepe portrays Bashir, a Lebanese
spider-enthusiast who spends his time in limbo talking
about Intelligent Design, family, and the bombing of Lebanon.
PREMIERE
a reading of Guajero
by Nic Adams
The story of the Guatemalan democratic revolution of
1944 told through the eyes of a trash-picker from the
Capital City Dump.
The evening will feature Javan Nelson, Matt Bowdren,
Lucas Gonzales, Laura Lippman, Lauren Orlowski, Samantha
Bowdren, Ryan DeLuca, Dan Thomson, Brian Johnson, and
others.
The goal of the evening is to share stories that poignantly
balance international viewpoints and universal insights.
A critical response discussion will follow the performance.
Admission: $10 or Pay-What-You-Will
Ticket purchase begins at the box office one hour before
curtain.
The Now Theatre will produce two plays
during the upcoming season, as part of The Rogue Theatre’s
“Rogue After Curfew” series. Performances
of Overruled by George Bernard Shaw will follow
all performances of The Rogue Theatre’s Ghosts,
November 4–28, 2010, and performances of The
Bald Soprano by Eugéne Ionesco will follow
all performances of The Rogue’s Old Times,
February 24–March 13, 2011.
Check out The Now Theatre on Facebook
complete with a video preview of A Night of Three
Short Plays
A Concert of Medieval Music
Pay-What-You-Will,
Wednesday, July 7, 2010, 7:30 P.M.
In anticipation of next season’s
production of Boccaccio’s “Decameron”,
the Rogue Theatre will present a light-hearted evening
of 14th century Italian and French vocal and instrumental
music. Internationally renowned lutenist Crawford Young
joins Rogue musician and singer Harlan Hokin for the Rogue’s
first concert. Both Harlan and Crawford are well-known
and seasoned practitioners of medieval and renaissance
music. Our program will consist of pieces that would have
been familiar to the characters in the Decameron. Rogue
friend and collaborator Patrick Baliani is in the midst
of creating a new translation and dramatization of Boccaccio’s
“Decameron” that will be the Rogue’s
fifth production of the 2010-11 season.
Crawford Young
graduated from New England Conservatory and studied medieval
music with Thomas Binkley prior to joining the medieval
quartet Sequentia in Cologne. Young is director and founder
of two prominent medieval ensembles, Boston-based Project
Ars Nova and the Ferrara Ensemble of Basel, which won
a Diapason d’Or de l’Annee and was a finalist
for Gramophone’s Early Music Recording of the Year.
Since 1982 Young has taught lute and Interpretation and
Performance Practice at the Schola Cantorum in Basel.
Harlan Hokin
is well known to Rogue audiences. He has performed extensively
as a solo singer and director with many international
early music ensembles including Sequentia and P.A.N.,
and did a stint with the Oregon Shakespeare Festival somewhere
in the mists of history. He earned a doctorate in historical
performance practice from Stanford, and has taught at
Stanford and UC Santa Cruz. Harlan is an active workshop
teacher and writer on topics of interest to singers and
early music performers, and teaches music theory and literature
at Pima Community College. He has served the Rogue as
music director since its inception, and acted as vocal
director for Arizona Onstage’s production of Assassins.
He is currently serving on the Board of Directors of the
Arizona Early Music Society, and is the father of two
nearly perfect former children. Harlan was a student at
the Schola Cantorum (where Crawford now teaches) many
long moons ago.
Carolyn Hokin, singer, as well as various Rogue actors,
will join Crawford and Harlan for this concert.
Two Characters
Times Two: Rogue’s The Four of Us plays
with the lives of two real-life literary figures
Review of The Four of Us by Nathan
Christensen in the June 24 Tucson Weekly
The Four of Us
comes straight from today’s generation
Review of The Four of Us by Chuck
Graham on June 21 in Let The Show Begin! at
TucsonStage.com
Two actors add
up to lovely Four
Review of The Four of Us by Kathleen
Allen in the June 18 Arizona Daily Star
New AC lets Rogue
raise audience’s temperature
Preview of The Four of Us by Kathleen
Allen in the June 11 Arizona Daily Star
From The Rogue’s
new YouTube channel:
We sat down with John Shartzer and Matt Bowdren to get
their thoughts on performing Itamar Moses’ The
Four Of Us.
MegaCläp—the keyboard duo comprised of Young
Musicians’ Camp graduates David and Benjamin—coming
to The Rogue!
April, 2010:
Passion, rage flow in Othello
Rogue Theatre’s staging moves quickly, with
grace
Review of Othello by Kathleen
Allen in the May 7 Arizona Daily Star
Wickedly Good:
The Rogue’s enjoyable Othello is perfect
for Shakespeare-phobes
Review of Othello by Nathan Christensen
in the May 6 Tucson Weekly
Shakespeare
is the master psychologist in Rogue’s Othello
Review of Othello by Chuck Graham
on May 2 in Let The Show Begin! at TucsonStage.com
The villain
Bard’s fans love to hate
Rogue Theatre’s Othello will flesh out
the odious Iago
Preview of Othello by Kathleen
Allen in the April 23 Arizona Daily Star
Book
Clubs
The Rogue Theatre is meeting with book
clubs in early April in advance of the opening of Shakespeare’s
Othello
on April 29th.
On Thursday, April 8,
at 7:00 P.M., we will hold a discussion
of Othello at The Rogue Theatre, 300 University
Boulevard in the Historic Y. Several Rogue actors will
be on hand. Members of Pima County Public Library book
clubs, members of other book clubs, and the general
public are all invited. Admission is free. See
map and parking information.
On Thursday, April 15,
from 12:00 to 1:00 P.M., artistic
director Joseph McGrath and artistic associate David
Morden of The Rogue Theatre will lead a lively discussion
of Othello with the Main Library Book Club
at the Joel D. Valdez Main Library in downtown Tucson.
For those attending the book club a two-hour free parking
validation is available for the garage directly below
the library. All are invited to bring their lunches
for this free program. More information can be found
here.
Please contact us to arrange for the Rogue Theatre
to meet with your book group. Pick an upcoming play
being produced by the Rogue and we’ll arrange
the rest.
An Evening
of Long-Form Improvisation
Saturday, April
10, 2010
7:30 P.M.
Admission: Pay-What-You-Will
Free Off-Street Parking See Map and Parking Information Parking and Box Office open at
6:30 P.M.
Guided by director Brad Kula of The Charles Darwin
Experience, we have assembled a cast of six creative,
spontaneous and awfully clever actors to create
an evening of both short-form theatre games and
long-form improvisation. Working together, the company
will create a one-act play from a simple suggestion
of a setting, weaving together multiple story lines
and interacting with each other in unexpected and
surprising ways. The evening promises to be a combustion
of comedy, drama, intrigue and…well…we
don’t know what else (it’s improvisation,
after all)!
An Evening of Long-Form Improvisation
features Brad Kula, Cynthia Meier, Javan Nelson,
Ali Franklin, David Morden, Anna Lauren Farrell
and Ryan Deluca.
Proceeds from the evening’s
performance will go towards The Rogue Theatre purchase
of air-conditioning for our theatre.
March, 2010:
Photo credit: Ward Wallingford
The Rogue Sale of Vintage Goods: The Sequel
took place on Saturday, March 27. This reprise of the
August 2009 sale of the entire contents of an antique
store donated to The Rogue Theatre included vintage
linens, midcentury modern items, jewelry, art pottery,
toys, paper ephemera, American and English dinnerware,
buttons and a great deal more. Hundreds of unique collectibles
were sold at extremely reasonable prices to benefit
our theatre renovation. By the end of the day, we were
over $5,000 closer to our goal!
Tucson’s
Performing Arts and Arts Criticism
Sunday March 21, 3:00
P.M.
A panel discussion hosted by The
Arizona Daily Star and The Rogue Theatre,
to spark a discussion on the role of the arts and arts
criticism in the Old Pueblo
The panel will be monitored by Bruce Brockman, head of
the University of Arizona Media and Theater School.
Panelists include
Jessica Andrews, arts consultant and
former executive director of Arizona Theatre Company
Lyn Tornabene, audience member, arts
supporter, and one-time theater critic
Joseph Thomas Tolliver, UA Associate
Professor of Philosophy and Board Member of the Arizona
Friends of Chamber Music
Harry Clark, musician and co-founder
of Chamber Music Plus Southwest
Joseph McGrath, actor, co-founder
of The Rogue Theatre
Cathalena E. Burch, music critic,
Arizona Daily Star
Kathleen Allen, arts editor/theater
critic, Arizona Daily Star
Joel Revzen, artistic director, Arizona
Opera
The panel will open with a discussion
among the panelists, and will then move to questions from
the audience.
With the changes in newspapers, including the Star, and
the import of the arts to the local community, we felt
it was time to have a public discussion.
Please join us at The Rogue Theatre, 300 E. University
in the Historic Y, and please pass this on to anyone
you think might be interested. Seating will be limited!
Read the related article
in the Friday, March 19 Arizona Daily Star
An interview with David Morden, director of the three
Backett one-acts, from The Rogue’s
new YouTube channel:
Beckett á
trois at Rogue Theatre
A trio of thought-provoking plays from the master of the
absurd
Review of Krapp’s Last Tape, Not I
and Act Without Words by Dave
Irwin posted March 4 on TucsonSentinel.com
Hard-Core Art:
Rogue tackles three challenging one-acts by Irish playwright
Beckett
Review of Krapp’s Last Tape, Not
I and Act Without Words by Nathan Christensen
in the March 4 Tucson Weekly
Evening with
Beckett beautiful but baffling
Review of Krapp’s Last Tape, Not
I and Act Without Words by Heather Price-Wright
in the March 3 Arizona Daily Wildcat
February, 2010:
Futility oozes
from Rogue's powerful set
3 short plays deliver bleak Beckett
Review of Krapp’s Last Tape, Not I
and Act Without Words by Kathleen
Allen in the March 5 Arizona Daily Star
Fans of Beckett
get a thoughtful meal at Rogue Theatre
Review of Krapp’s Last Tape, Not
I and Act Without Words by Chuck Graham
on February 28 in Let The Show Begin! at TucsonStage.com
Works of Irish
playwright 'are in a class of their own' 3 short plays by Samuel Beckett due at the Rogue
Preview of Krapp’s Last Tape, Not
I and Act Without Words
by Kathleen Allen in the February 26 Arizona Daily
Star
The Rogue Theatre has a
new channel on YouTube, and has posted its first video:
a behind the scenes look at The Rogue’s production
of Thornton Wilder’s Our Town, filmed on
closing night, January 24th, 2010. If you have a YouTube
account, we invite you to subscribe to our channel.
January, 2010:
Food for thought
fills Our Town at Rogue Theatre
Review of Our Town by Chuck Graham on January
12 in Let The Show Begin! at TucsonStage.com
Our Town populated
with meaning Rogue Theatre to stage classic about local lives,
universal context
Preview of Our Town by Kathleen
Allen in the January 1 Arizona Daily Star
Thornton Wilder’s
Arizona Days
A Free Lecture by Tom Miller
Funded in part by the Arizona Humanities
Council
Tuesday, January 12, 2010 at 7:00 P.M.
The Rogue Theatre, 300 University Boulevard
Author Thornton Wilder was weary of being
a public intellectual and eventually settled in Douglas
in May, 1962. There he read voluminously, wrote incessantly,
and hit the bars nocturnally. Eighteen months later, rejuvenated
by his relative anonymity, he returned east, his literary
skills re-energized. The presentation explores Wilder’s
Arizona sojourn, showing its importance in his literary
life and America’s literature. This unknown slice
of our state’s recent past reveals the crossroads
of a small border town with the American literary establishment.
Tom
Miller, award-winning author of
books about Latin America and the Southwest, has
spoken to community groups, on campuses, and at
writing workshops and book festivals. He has appeared
in Smithsonian, Rolling Stone, The New Yorker and
The New York Times, among other outlets. Miller
is an adjunct research associate at the University
of Arizona’s Latin American Area Center, and
owns eighty versions of “La Bamba.”
Most recently, he has authored Revenge of the
Saguaro. Visit www.tommillerbooks.com
for more information on his work.
2009 Mac Awards
The Rogue Theatre received several accolades in the
Arizona Daily Star’s 2009 Mac
Awards. Theater reviewer Kathleen Allen writes:
Winner of Best Actor:
“Joseph McGrath gave depth and nuance to the ineffectual
Tobias in Rogue’s Delicate Balance. It’s
a difficult role because the character has a deep, troubled
inner life. McGrath did it full justice, and then some.”
Nomination for Best
Drama: “Rogue Theatre, which is
quickly establishing a reputation as a company that
rarely misses, staged a lovely (and most difficult to
do) Orlando and an almost breathtaking presentation
of A Delicate Balance.
Nomination for Best
Actress: Patty Gallagher gracefully
transitioned from an Elizabethan Romeo to a Victorian
maid in Rogue’s Orlando.
Nomination for Best
Director: David Morden showed a deep
understanding of Edward Albee with his direction of
A Delicate Balance.
December, 2009:
Happy Days in Balgalore
The Rogue Theatre’s production
of Samuel
Beckett’s Happy Days is going
on tour to Bangalore, India on December 12th and
13th. Patty Gallagher and Joseph McGrath will reprise
their roles as Winnie and Willie for LIGRA, a Bangalore-based
theater staging group focused on bringing high quality
English theater from the US to discerning theater
lovers in India. More information is at the LIGRA
Website or their Facebook
page for the event.
Rogue
Branches Out to Book Groups
Recently the Rogue’s Artistic Director and the
director of Edward Albee’s A Delicate Balance
met with the Café Books group at the Pima
County Public Library Martha Cooper Branch to discuss
the play. Two other local book groups joined in for
this thoughtful discussion.
On December 7, the Rogue will meet with the book group
from the Flowing Wells Branch of the Pima County Public
Library to discuss Our Town. This meeting will
take place at the Flowing Wells Baptist Church, 4314
N. Romero Road, directly south of the Flowing Wells
Branch Tucson Pima Public Library. Start time is 6:00
P.M. Snacks will be served. If
you are interested in attending, please RSVP to the
Library by calling 594-5225.
Please contact
us to arrange to have the Rogue Theatre meet with
your book group. Pick a play the Rogue is producing
in 2010 and we’ll arrange the rest.
See you at the Rogue!
November, 2009:
Some Girl(s)
is sexy, cynical late night theater
Review of Some Girl(s) by Anna Swenson
in the November 18 Arizona Daily Wildcat
Rogue’s
Albee is disturbing theater but awfully good
Review of A Delicate Balance by Kathleen
Allen in the November 13 Arizona Daily Star
Now’s Some
Girl(s) is some show
Review of Some Girl(s) by Kathleen Allen
in the November 13 Arizona Daily Star
Tipping Point:
Edward Albee’s brilliant language stars in the disturbing
Delicate Balance at Rogue
Review of A Delicate Balance by Sherilyn
Forrester in the November 12 Tucson Weekly
Captivating
Drama in A Delicate Balance at The Rogue Theatre
Review of A Delicate Balance by Chuck Graham
on November 9 in Let The Show Begin! at TucsonStage.com
Rogue Theatre
tackles ambitious plays
Previews of A Delicate Balance and Some
Girl(s) by Anna Swenson in the November 4 Arizona
Daily Wildcat
October, 2009:
Albee’s
characters thrive in Balance Rogue Theatre stages famed playwright’s story
of folks on a path of self-discovery
Previews of A Delicate Balance and Some
Girl(s) by Kathleen Allen in the October 30
Arizona Daily Star
September, 2009:
Winner of the Tucson
Weekly’s Best of Tucson 2009: Best Theatre News
Staff Pick: The Rogue Theatre’s New Home. “Now,
one of Tucson’s smartest and most accomplished
little companies has the home it deserves.” Read
all about it here.
Animal Farm
at Rogue Theatre designed to make audience think
Review of Animal Farm by Kathleen Allen
in the September 18 Arizona Daily Star
Little Piggies:
The challenging Animal Farm opens Rogue’s
season in the troupe’s new space
Review of Animal Farm by Sherilyn Forrester
in the September 17 Tucson Weekly
Rogue’s
Animal Farm a chaotic barnyard of ambitious theater
Review of Animal Farm by Anna Swenson in
the September 16 Arizona Daily Wildcat
Rogue’s
new theatre is a hit! So is its Animal Farm!
Review of Animal Farm and our new theatre
by Chuck Graham on September 12 in Let The Show
Begin! at TucsonStage.com
Quest for Rogue
Theatre home over: Historic Y to house enterprising troupe
An article about our new theatre home by
Rosalie Robles Crowe in the September 11 Arizona
Daily Star
Animal Farm
shows an all--too-human face
Preview of Animal Farm by Kathleen Allen
in the September 4 Arizona Daily Star
August, 2009:
Congratulations to our own
Patty Gallagher
as she lights up the stage of California
Shakespeare Theatre in Orinda
with her Winnie from Samuel Beckett’s Happy
Days!
Photo credit: Kevin Berne
Read the reviews!
Gallagher rescues Happy Days Review
by Robert Hurwitt in the August 17 San Francisco Chronicle “Gallagher glows with
Beckettian misplaced optimism and makes his dark humor
sing…
(she) makes the amphitheater rock with laughter.”
Patty Gallagher sparkles in Samuel
Beckett’s tragicomedy Happy Days Review
by Karen D’Souza in the August 17 Silicon
Valley Mercury News “A tragicomic tour de
force… Gallagher…is nothing short of marvelous.”
Happy Days Are Here, Again
Patty Gallagher buoys a new Cal Shakes production of the
Samuel Beckett play Review
by Rachel Swan in the August 19 East Bay Express “Thoroughly contemporary…Cal
Shakes’ version succeeds in every aspect…Gallagher
is terrific as Winnie.”
Patty Gallagher makes most of Beckett
in Happy Days
Review by Georgia Rowe in the August 20 San Francisco
Examiner “Gallagher... gave a
brilliantly bravura performance... She brings an impressive
blend
of dramatic intelligence and physical technique to the
role.”
Happy Days
challenging and gratifying Review
by Sally Hogarty in the August 20 Oakland Tribune
“It is such a pleasure to
see a work of this caliber so beautifully done.”
The Rogue Sale of Vintage Goods took place on
Saturday, August 29 at the new theatre space. With the
entire contents of an antique store donated to The Rogue
Theatre, hundreds of unique collectibles ranging from
vintage kitchenware to antique jewelry to aprons, linens,
figurines, silverware, and more, were sold at extremely
reasonable prices to benefit our theatre renovation. By
the end of the day, we were almost $11,000 closer to our
goal!
On Sunday, August 16, at 4:00 P.M.,
John Shartzer, one of the wonderful chorus members from
last season’s production of Orlando,
led An Afternoon of Unnatural
Selection with Rogue cast members and special
guests from the UA’s Charles Darwin Experience. The
presentation of long-form improvisation
was free to Rogue renovation donors as a thank-you for their
contributions, and gave them a sneak peek at the theatre
they are helping to build.
June, 2009:
Season Five announced! See the Our
Season page for details.
May, 2009:
On Thursday, May 7, The Rogue Theatre was
awarded the Tucson Pima Arts Council “Lumie Award”
for Emerging Arts Organization—for innovation and
creativity! Thank you for helping us to “emerge”!
Read
more about the Tucson Pima Arts Council 2009 Lumies
Arts and Business Awards.
On Sunday, May 3, The Rogue Theatre threw an Open
House to celebrate moving into our permanent home on
May 1st. This summer, we are converting the auditorium/gymnasium
of The Historic Y, known previously as The Historic Y Hall,
into a theatre, having committed to a five-year lease on
the space. Over two hundred people turned out Sunday afternoon
to mingle with Rogue actors and Board members, enjoy Ophelia’s
Variety Hour, learn about our next
season, and get a preview of how the renovated space
will look. A big thank you to old friends and new friends
who joined us to celebrate!
April, 2009:
The Rogue Theatre has found
a permanent home. This summer, we are converting the auditorium/gymnasium
of The Historic Y, known previously as The Historic Y
Hall, into a theatre. Our new address
is 300 East University Boulevard
in The Historic Y. see
map
Plays After Dark:
Two new late-night theater efforts follow in the footsteps
of LTW’s successful Etcetera series
Report on The Now Theatre and LNT @ The Alley
by James Reel in the April 2 Tucson Weekly
March, 2009:
Shakespeare’s
women
Video interview with Immortal Longings author/director
Joseph McGrath by Sooyeon Lee on KUAT TV’s March
31 Arizona Illustrated
A Teen’s
Trial: A group of Shakespearean women gather to decide
the fate of Juliet in the wonderful Immortal Longings
Reviews of Immortal Longings and This
Property is Condemned by James Reel in the March
26 Tucson Weekly
One-act This
Property is Condemned packs a wallop
Review of This Property is Condemned by
Chuck Graham in the March 26 Tucson Citizen
Juliet doesn't
want to die!
Previews of Immortal Longings and This
Property is Condemned by Kathleen Allen in the
March 13 Arizona Daily Star
January, 2009:
Strong cast
led by Gallagher makes this a must-see
Review of Orlando by Kathleen Allen in
the January 30 Arizona Daily Star
Production of
Albee play is straightforward, as it should be
Review of The Zoo Story by Kathleen Allen
in the January 30 Arizona Daily Star
Orlando Blooms
Review of Orlando by Gene Armstrong in
the January 29 Tucson Weekly
Primal Zoo:
The Now Theatre offers up a tragic Edward Albee tale of
class warfare
Review of The Zoo Story by Gene Armstrong
in the January 29 Tucson Weekly
Comedy is king—and
queen —in production of Woolf's Orlando
Review of Orlando by Chuck Graham in the
January 29 Tucson Citizen
Sparks fly when
a have-not lashes out
Review of The Zoo Story by Chuck Graham
in the January 29 Tucson Citizen
Whimsical Woolf
work to be staged
Preview of Orlando by Kathleen Allen in
the January 16 Arizona Daily Star
The Goat
A Mac Award Favorite!
The January 2008 Rogue Theatre production of Edward
Albee’s The
Goat garnered three Macs and one nomination
in the Arizona Daily Star’s 2008
Mac Awards. Theater reviewer Kathleen Allen writes:
Winner of Best Drama: “Directed
by David Morden, the production was a fierce one,
full of the passion and anger and love that Albee
intended.”
Nomination for Best Actor in a Comedy or
Drama: Joseph McGrath “was particularly
effective as Martin, a married architect who falls
for a goat.”
Winner of Best Actress in a Comedy or Drama:
“Cynthia Meier...was powerful and smart and
so wounded by the deep betrayal that it was impossible
not to be moved by her.”
Winner of Best Director of a Comedy or Drama:
“David Morden’s direction...showed a deep
understanding of the material, and he used a deft
hand in order to give the audience that same insight.”
A
year ago, The Rogue won the Mac for Best Play with
its January 2007 production of Genet’s The
Maids, with nominations of Cynthia Meier and
Susan Arnold for for Best Actress and Joseph McGrath
for Best Director.
October, 2008:
Happy Days is
here again
Preview of Happy Days by Kathleen Allen
in the October 31 Arizona Daily Star
September, 2008:
Apt challenge
for audience: Rogue Theatre, Six Characters mesh
Review of Six Characters in Search of an Author
by Kathleen Allen in the September 26 Arizona Daily
Star
Silence speaks
volumes in this staging
Review of Cigarettes and Chocolate by Kathleen
Allen in the September 26 Arizona Daily Star
Winner of the Tucson
Weekly’s Best of Tucson 2008
The January 2008 Rogue Theatre production of Albee’s
The Goat
was selected by the Tucson Weekly in the category of
Best
Theatrical Bestiality: “Loud, intense and
emotionally realistic, Rogue’s production of Edward
Albee’s play about a married man who has sex with
a goat gradually twisted its initial whimsy into an
evening throbbing with loneliness and rage, thanks to
director David Morden and lead actors J. Andrew McGrath
and Cynthia Meier. What began with witty sophistication
descended into brutal primitivism by play’s end,
in an overwhelming production by a courageous little
company.”
Characters in
Abundance
Review of Six Characters in Search of an Author
by James Reel in the September 25 Tucson Weekly
Six Characters,
One Chance to Live
Preview of Six Characters in Search of an Author
by Kathleen Allen in the September 19 Arizona Daily
Star
Ambitious UA
Grad's Now Theatre to Debut
Preview of Cigarettes and Chocolate by
Kathleen Allen in the September 19 Arizona Daily
Star
June, 2008:
Season Four announced! See the Our
Season page for details.
April, 2008:
The Rogue Theatre’s production of Happy
Dayswill be presented at the Climate Theatre of
San Francisco April 25–27, 2008. Contact the Climate
Theatre for performance times and online ticket purchases.
Also, you can now view production
photos by Tim Fuller.
March, 2008:
Red Noses: Mocking
Authority, Avoiding Despair
Preview of Red Noses by Kathleen Allen
in the March 21 Arizona Daily Star
February, 2008:
Going Down Singing
Preview of Happy Days by James Reel in
the February 7 Tucson Weekly
Gallagher gets
‘Happy’
Preview of Happy Days by Chuck Graham in
the February 7 Tucson Citizen
Amid the bleak,
a ray of hope
Preview of Happy Days by Kathleen Allen
in the February 8 Arizona Daily Star
January, 2008:
Destruction
of Innocence
Review of The Goat by James Reel in the
January 10 Tucson Weekly
Albee’s
Goat tackles taboos left and right
Review of The Goat by Kathleen Allen in
the January 11 Arizona Daily Star
Play uncovers
the struggles behind unconventional love
Review of The Goat by Chuck Graham in the
January 10 Tucson Citizen — Grade: A+
Winner of the Arionza
Daily Star Mac Award
The January 2007 Rogue Theatre production of Genet’s
The Maids
was a favorite of the Arizona Daily Star and
its 2007
Mac Awards. In the running for Best Actress were
Cynthia Meier and Susan Arnold, “two sisters who
are bitter maids to a haughty mistress. They were disturbing,
they were touching, and they were very effective.”
As a contender in the category of Best Director, the
Star credits Joseph McGrath with directing
“a smooth, tense version of The Maids.”
But in the category of Best Play, The Maids came out
the winner: “The compelling and horrifying story
was cleanly directed by Joseph McGrath and powerfully
performed by a trio of actresses [Cynthia Meier, Susan
Arnold and Arlene Naughton]. It was fulfilling and challenging
theater.”
December, 2007:
Add Tony-winning
play to your 2008 to-do list
Preview of The Goat by Sherilyn Forrester
in the December 28 Arizona Daily Star
November, 2007:
Preview of The
Goat, or Who is Sylvia?
by Iris J. Arnesen, from the November, 2007
The Opera Glass In any given human culture, certain
behaviors will be considered proper and admirable while
others will be considered improper and disgusting. Travel
some distance away, however, and the people of the second
area will likely hold very different opinions. Which group
is right, and which is wrong? Are there any absolutes?
Or is it as one of Shakespeare’s characters put
it: “There’s nothing either good or bad, but
thinking makes it so”? Read the full Preview
Directors Joseph McGrath and Cynthia Meier
are interviewed by Iris J. Arenesen in a 4-page article
in the September 2007 The
Opera Glass. They discuss their meeting, the
formation of The Rogue Theatre, their experiences as
actors, their plans for The Rogue, and the upcoming
production of Edward Albee’s The Goat, or
Who is Sylvia?
Dying Way of
Life: The Rogue Theatre treats Chekhov’s Cherry
Orchard as the classic that it is
Review by James Reel in the September 13 Tucson
Weekly
Chekhov play
timely and worth checking out
Review by Chuck Grahm in the September 13 Tucson
Citizen
Humor Included
Preview by Kathleen Allen in the August 31 Arizona
Daily Star
August, 2007:
Mask as Meeting Place
On August 11, Dr. Patty Gallagher,
Artist-in-Residence of The Rogue Theatre, presented a workshop
on the use of masks in the theatre utilizing 48 masks she
has gathered throughout the world. With an eclectic background
in clowning, Balinese dance, and Shakespearean drama, Dr.
Gallagher has joined the Rogue Theatre this year as a performer
and teacher. The free public workshop was attended by over
50 people.
Cast members of The
Cherry Orchard wearing masks appropriate to ther
characters
Kenton Jones, Joseph McGrath and Patty Gallagher
display masks
Photos by Cynthia Meier
July, 2007:
We have had another successful round of grant writing,
to assist in funding our Season Three activities. We have
just received notification that we have been awarded $5,092
from Tucson
Pima Arts Council and $10,395 from the Arizona
Commission on the Arts. Part of what the Arizona Commission
grant will fund is an educational supplement on The
Voice of the American Playwright, to be used in conjunction
with our production of The Goat, or Who is Sylvia?
Patrick Baliani, a faculty member at the UA English Department,
will assist in its preparation.
Rogue Theatre productions are listed in the Tucson
Citizen’s Year
in Review: Tucson Happenings in 2006 and the Arizona
Daily Star’s 2006
Mac Awards. As a contender in the category of Best Actor,
the Star credits Joseph McGrath with “an
honest and convincing portrayal” in the one-man The
Fever by Wallace Shawn, directed by Cynthia Meier.
The Citizen reports that Cynthia Meier’s
adaptation and direction of James Joyce’s short story
The Dead
was a highlight of Tucson entertainment in 2006, showing
“the magical transformative power of theater.”
The poignant climatic scene between Gabriel and Gretta Conroy,
as portrayed by Joseph McGrath and Amy Almquist, is given
special mention.
September, 2006:
Best Act of Theatrical
Piracy
The Dead makes the September
28, 2006 Tucson Weekly’s Best of Tucson
Staff Picks in the Arts and Culture category. To read
all about it, follow this link.
The Rogue Theatre is happy to announce that we have been
awarded an unrestricted grant of $1000 from the Community
Foundation for Southern Arizona as a result of our application
submitted for consideration during the 2006–2007 Endowment
for the Arts grant round. The grants panel expresses the
hope that during the coming year, these funds will be used
to develop audience and foster other activities that will
build our organization’s infrastructure leading to
greater self-sufficiency.
August, 2006:
Dr. Patty Gallagher, international theatre artist, joined
The Rogue Theatre, August 8–12th, for exciting workshops
on mask, clowning, and character development during rehearsals
for the upcoming production of Endymion.
As part of her residency, she also presented a free public
workshop on August 12th. Dr. Gallagher’s residency
was partially funded by a Sudden Opportunity Grant from
the Arizona
Commission on the Arts.