OUR 2026–2027 SEASON
“Do the right thing.”
SEASON SPONSOR: ANDY WATSON
A DOLL’S HOUSE
by Henrik Ibsen
adapted by Amy Herzog
directed by Cynthia Meier
September 4–27, 2026
The classic 19th-century drama is streamlined into sharp, contemporary dialogue that highlights Nora’s awakening. Preserving Ibsen’s core themes of autonomy, marriage, and societal constraint, Herzog’s adaptation makes Nora’s struggle for self-liberation immediate and urgent.
Sponsored by Marianne Leedy and Brock & Chantal McCaman
ALL MY SONS
by Arthur Miller
directed by Christopher Johnson
October 30–November 22, 2026
Arthur Miller’s modern tragedy tells the story of an American businessman and his family caught in the discovery that he sold defective aircraft engines to the military during the Second World War. The plays asks us to consider the dark underbelly of capitalism.
Sponsored by Marianne Leedy and Barbara Martinsons & Larry Boutis
EQUUS
by Peter Shaffer
directed by Cynthia Meier
January 8–31, 2027
A psychiatrist in a provincial English hospital takes on the assignment of treating a 17-year-old boy who has blinded six horses with a spike. An unsettling mystery story, the play incorporates stunning theatrical devices to tell the story elegantly through actors playing the horses with sculptural heads. A disturbing blend of sex, delusion, and religion.
Sponsored by Kristi Lewis and Julie Cohn
DOUBT
by John Patrick Shanley
directed by Christopher Johnson
February 19–March 14, 2027
A rigid Catholic school principal, Sister Aloysius, suspects a progressive priest, Father Flynn, of inappropriate behavior with a young student. As evidence remains uncertain, the play becomes a tense moral investigation into faith, authority, and the uneasy coexistence of conviction and uncertainty.
Sponsored by Max McCauslin & John Smith and Lori Levine & Gary Benna
CYMBELINE
by William Shakespeare
directed by Joseph McGrath
April 23–May 16, 2027
Set in and around the court of King Cymbeline, the play features Princess Imogen who has secretly married her commoner lover, Postumus. Imogen’s faith and chastity is then put in question by deceit. Meanwhile, Cymbeline’s kingdom is facing off with Rome in battle. Shakespeare’s romance is passionate and transfixing with a cross-dressed heroine, a comic villain, and two princes, lost in infancy, returning to demonstrate their nobility.
Sponsored by John Wahl & Mary Lou Forier and Vicki Ettleman
